This CD release party is our first and wow! We are so busy preparing for all the fun! The Cds arrived and have been sent out to radio stations. The staff has been assembled and the friends are getting excited!
I listen to the rain falling outside while I sip my coffee. Seems like we have had too many gray days this year, but I’ll try to keep my mind in a sunny place!
It’s probably time to write another song! The last one I wrote is for our June 24th show, Beach Babies at Sayde’s, sponsored by Boston Rock Radio. The song is called Beach Days.
It’s about how our memories of the beach are etched into our minds.There’s just something about the ocean. So huge and powerful. The sky above it, the sand beneath and all the colors. Even the scent in the air… as you drive toward the beach you feel yourself getting happier the closer you get!
I’m so looking forward to handing out the little beachy bracelets I made for this event.
It’s gonna be great to have Xception and Taken sharing their songs with us all! Lets enjoy some summer music and drink a toast to Beach Days!
We are building a cool event for the first weekend of spring!
Spring Rockin’ Fling
3 bands playing one hour each (including yours truly!)
This event has a theme of coming out of hibernation and having some fun…
the music will tell stories and we are also encouraging the singles to mingle!
Stay tuned for more crazy details!!!
Save the date: March 25
I was recently at a gig and in a conversation with another artist about our band, which he knew little about. We were chatting about gigging and typical stuff when he asked how much original material we play at our gigs. I replied that we only play original material (accept one tribute song occasionally). He was very surprised at that answer. If you are in an original band, you might know why that is not a common answer. The industry provides little or no income for anything other than cover bands. Most bands will try to integrate their original songs in with their cover sets to at least make money to hopefully support the band. Sadly that is something most paying clubs frown upon and discourage it for the most part.
I was then asked where I expected the band to go taking that route. My answer was I don’t care where it goes. He seemed surprised and replied, “ I guess that’s the best answer.”
It got me to think about myself as an artist and what do I get out of being one. Let me first say I am and avid Podcast listener about the business side of music and being successful. Most all podcasts dealing with the business side of music are presented by musicians that have not become successful by the means in which they themselves preach. They are 100 percent correct on the information they offer and the ways to make it in this business, but do not necessarily have the proven record to back it up. Most of those podcasts will have guests on with people doing new ways to promote etc… and are very helpful and worth taking note of. But if I sit down and plan out all of the different ways to make it in this business, there is no way to have the time to do it all and be an artist at the same time.
Even more interesting about those podcasts is when they get a chance to interview a famous person who has made it in a big way. Ironically those interviews take on a whole different vibe. While the host will ask questions like- how did you do it? The artist spends little time on that as if he doesn’t really understand how the stars aligned to make it big and he spends more time talking about how to be true to the art. The artist speaks as though the creation of music is all he thinks about and all that really matters. Creating a single song is, in itself, a success. Not a financial success but a completed work of art.
As a working stiff in a full time job that is constantly on the verge of being outsourced leading to possible unemployment, it interferes with my musical emotional state. I never seem to have enough time for music. That being said, when I pack up my gear and load into another gig, (which might or might not have a crowd to play for), I hit that stage and the stresses of my daily world are nonexistent. The stresses of the stage are there, like feedback and power cutting out or whatever. But it’s like I just become unplugged from one world and plugged into another. This is what you might call my comfort zone. This is where I let go and let the music breath life through me. To me, playing music is an interactive relationship that consumes every part of my being, and I love that.
So when I’m asked -what do I expect to gain from all the laborious gigging that I do with the band, or where is it going? I honestly don’t care. Let it go where ever it wants to. When I am writing, I listen to the music as its being created and try to follow where it leads me. I try not to force it into submission because I want to feel its magic and see where it takes me. I live for that. This is how I think of gigging and nothing more. As long as I can afford to do it, my compensation is peace of mind.
Sometimes the best gigs are booked last minute. We packed the car and the band into a mid sized Ford and drove a couple of hours to Providence. We really liked DV8 Bar. Cool stage, lighting and plenty of space. Westminster Street is so pretty with beautiful architecture, flowers, cobblestones, etc.
We look forward to out next visit!