Hopefully we will get that out tonight!
Hey friends, Tricia here,
It’s true, a few days ago I was about to post in this blog when I saw shiny red words, “update now.”
That would have been fine if I didn’t also click, “update all plugins” at the same time! So the site was gone for 3 days and we had no way in, but the ever-talented Juiceman watched a few youtube videos and after a few clicks, we are back online!
Note to self- NEVER UPDATE AGAIN!
I was recently at a gig and in a conversation with another artist about our band, which he knew little about. We were chatting about gigging and typical stuff when he asked how much original material we play at our gigs. I replied that we only play original material (accept one tribute song occasionally). He was very surprised at that answer. If you are in an original band, you might know why that is not a common answer. The industry provides little or no income for anything other than cover bands. Most bands will try to integrate their original songs in with their cover sets to at least make money to hopefully support the band. Sadly that is something most paying clubs frown upon and discourage it for the most part.
I was then asked where I expected the band to go taking that route. My answer was I don’t care where it goes. He seemed surprised and replied, “ I guess that’s the best answer.”
It got me to think about myself as an artist and what do I get out of being one. Let me first say I am and avid Podcast listener about the business side of music and being successful. Most all podcasts dealing with the business side of music are presented by musicians that have not become successful by the means in which they themselves preach. They are 100 percent correct on the information they offer and the ways to make it in this business, but do not necessarily have the proven record to back it up. Most of those podcasts will have guests on with people doing new ways to promote etc… and are very helpful and worth taking note of. But if I sit down and plan out all of the different ways to make it in this business, there is no way to have the time to do it all and be an artist at the same time.
Even more interesting about those podcasts is when they get a chance to interview a famous person who has made it in a big way. Ironically those interviews take on a whole different vibe. While the host will ask questions like- how did you do it? The artist spends little time on that as if he doesn’t really understand how the stars aligned to make it big and he spends more time talking about how to be true to the art. The artist speaks as though the creation of music is all he thinks about and all that really matters. Creating a single song is, in itself, a success. Not a financial success but a completed work of art.
As a working stiff in a full time job that is constantly on the verge of being outsourced leading to possible unemployment, it interferes with my musical emotional state. I never seem to have enough time for music. That being said, when I pack up my gear and load into another gig, (which might or might not have a crowd to play for), I hit that stage and the stresses of my daily world are nonexistent. The stresses of the stage are there, like feedback and power cutting out or whatever. But it’s like I just become unplugged from one world and plugged into another. This is what you might call my comfort zone. This is where I let go and let the music breath life through me. To me, playing music is an interactive relationship that consumes every part of my being, and I love that.
So when I’m asked -what do I expect to gain from all the laborious gigging that I do with the band, or where is it going? I honestly don’t care. Let it go where ever it wants to. When I am writing, I listen to the music as its being created and try to follow where it leads me. I try not to force it into submission because I want to feel its magic and see where it takes me. I live for that. This is how I think of gigging and nothing more. As long as I can afford to do it, my compensation is peace of mind.
We left off in 1997- New house, new town, and soon to be new baby! We began attending church on Sunday. Bruce began playing guitar during worship time. That was really good for him and soon Tricia would accompany him on vocals for songs during the offering.
This led to Bruce jamming occasionally with new friends, and he started an original project with his brother-in-law, Pete and a few others. They called it Salt.
Pete and Bruce eventually created a successful cover band, Rockfish and were gigging frequently.
When this project ended, Bruce focused more on his songwriting, and he would go out performing his songs at open mics in the area. He networked with other songwriters online and that’s when he discovered Songpulls.
This would change our lives!
Sometimes the best gigs are booked last minute. We packed the car and the band into a mid sized Ford and drove a couple of hours to Providence. We really liked DV8 Bar. Cool stage, lighting and plenty of space. Westminster Street is so pretty with beautiful architecture, flowers, cobblestones, etc.
We look forward to out next visit!
Fun time at DV8 in Providence, RI
So 8 months after we met, we bought a little home and got married.
Bruce had lots of big plans to double the size of our house to make room for kids, so his music aspirations were put on hold. We both worked hard to make sure I could be a stay at home mom.
We loved listening to music, mostly in the car in those days, for Bruce sold most of his gear. There would be no jamming for many years.
Our lives were all about the kids. I homeschooled them and brought them to playgroups.
Before our 3rd child came along, we had built a new house.
That’s where we began to make music once again.
more to come….